Kioto Aoki (青木希音) is a Chicago-based artist, educator and musician, whose studio practice navigates various mechanisms and propositions of spatial and visual acuity, responding to and formed by observations and experiences of the body in space. Primarily rooted in analogue image-making traditions of photography and cinema, Aoki integrates architectural, biographical and geographic histories that balance material and research-based approaches through nuances of material form, spatial play and exhibition strategies. The artist’s body and the human form often becomes an inflection point that oscillates between assertions of personal, communal or universal experience. The body activates, holds, and navigates propositions of sight and relativity as playful expressions of visual and formal imprints of presence.
Aoki’s work is held in the Joan Flasch Artists’ Book Collection, the Museum of Contemporary Art Chicago Library and private collections. Musical projects include solo and collaborative albums released by Asian Improv Records and FPE Records, Yoko Ono’s SKYLANDING, Tatsu Aoki’s The MIYUMI Project, Experimental Sound Studio’s Sonic Pavilion Festival, and the Soundtrack series at Museum of Contemporary Art Chicago. She has performed and exhibited at Museum of Contemporary Art Chicago, Asian Art Museum (San Francisco), the Chicago Cultural Center, 6018|North (Chicago), Gallery Kobo Chika (Tokyo, Japan), The Lab (San Francisco), and the Barbican Centre (London); among others. Aoki also leads Tsukasa Taiko, a program of Asian Improv aRts Midwest (AIRMW); and is program curator at AIRMW.